|   | Free Verse and Classic Poetic Forms
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|   | Revelation |
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|   | The world of the windo washer Far above, self contained Scaffold, squeegee and rope, Bucket, rag, sandwich -- maybe a thermos -- Though nowhere to hold it secure from The tumbling trip, the unwelcome Awakening below. The world of the windo washer In a space where conscience dwells -- Over the shoulder license of the eavesdropper -- Always overhearing the invisible wind Of the upper stories. Occasionally When a shade may fall on the page Or the square of sunlight bright on the Carpet grows the shadow of a skull -- His presence is felt, observing. The scenes he must see -- each Separate cameo presenting itself -- Disembodied, detached from its Neighbor, a nickelodeon naturale. The windo washer lives in his world Of surprise; witness to private Suffering in hidden eyes. Such Punishment and penance -- his Peanut butter sticks to the roof of His palate. His inclination to intervene Unacknowledged, superfluous: as He takes care not to lose his balance. He is a fakir, performing the Rope trick constantly; hoisting Himself by his scrawny scaffold -- Scraping and scouring the guano Of pidgeons, hardened dung Cemented to window frame. Was he once that curious small Boy standing and staring absorbed In places unexpected -- Folding himself among hangers In the coat closet, crouching Under railings of the baluster Peering from the dim pantry. He was not a child who Prattled, blubbering mouthfuls of syllables Streaming spittle. He read his daily reader: "This is a watchbird watching you!" The world of the windo washer is a Tight-lipped place preoccupied with pieces Of a limited perspective. Solely for The observer uninvolved. One who Does not pass judgment. |
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|   | Peddlar |   |
|   | Ziplock is strong for what life has in store." "No leak is a good leak" -- from "Huggies"! Lemon flavored detergent and room deodorizer That smells like a rain forest! For you we have an assymetrical soul, Cut on the bias for a full flare -- We have windshield wipers, click-clock Clearing the dust with a self-spray! There's a way to fake everything and still Appear to be sincere -- or with a modicum Of something similar. Take this box of backup biscuits To alleviate starvation ... for the word That got away when you failed to write it down. That stick -- pinpricks when rummaging thru memories. Better -- take this walnut box, lined with Velour -- but avoid opening it. No image damaged by pixels eliminated or condensed. Here is a photo album with spaces for discarded Polaroids -- Those portraits you can't stand to scan! Perhaps we don't carry the things you want? -- A shiny gold star pasted in the upper right-hand corner Of your spelling test? 100 percent scrawled large in the top Space with blue ink! But a 'D" comes in scarlet, With correx in the margins ... and a snapshot of asinine Laughter over a puddle when Sunday school prayers Took too long! To grow your prehensile tail -- when you feel you just can't care! If you're poisoned and you don't know what to do: Call 1-800-222-1-222! |   |
|   | Opening |   |
|   | Opening anything is just not happening --
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|   | Afterword -- the 11th |   |
|   | Everyone now has time to select an attitude like the Hoberman Sphere whose compensations shield that platitude in practice: unacknowledged meditation, clinical interviews proceed without hesitation -- excluding intrusion -- reservation in advance. Information discloses indifference in the unscathed, never the bereaved. Layers of conversation divide the space in this room. Layers of thought are equally tangible -- With regard to the filming of the ferry: a collection of stories steeped in marinade -- of the watching as the ferry turned around and the skyline crumbled. |   |
|   | Blizzard Birds |   |   |
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Shadow in the corners of mirrors, Wires frosted white, Seventeen pigeons in snow Thirteen sit side by side On phone lines strung in a double row. Four perch on the last row down Covered in wet snow falling. Then ten on the first, Six on the third, one more flies calling. When surfeited with the idea of ideal -- A scratch on the surface makes it real, Or nail polish peeling, camouflage fading, On the lines pigeons huddle, nine remain Snow keeps blowing. A birdhouse needs a roof for the feeder In this weather, some ledge to shelter under, A tent to shake out feathers -- I run With a beach umbrella, but these gulls don't know What to do, windblown, In this -- their first winter snow. |
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|   | on cloning |   |
|   | Let's Not outlaw cloning nor make making a clone a crime we do fear late night images in movies: horror genre when the cloned cells grow into babies! They will start a new religion "Modern Souls": souls without restriction! "We are our own Temple" "Our souls are better than yours! cleaner, newer, singular, and sharper! YOU have the Old Souls' Stock in superstition . . . retribution New Testament Style: No longer eye for an eye nor turn the other cheek either -- ! Would such babies be invincible!!?! Not subject to terror, worry, or prejudice -- An AMAZON is going to become THE FIRST NEW MOTHER OF THE FIRST NEW SOULS!!!!" "NO -- We will make it all illegal -- give false doctors with false clinics another chance -- has this ll happened before??????" "Buy a better HEART -- guaranteed not to modify its frequency! insurance may cover it pay us half of all your income earned: whether by skill or through gambling -- for the rest of your working life and all of your retirement -- even after you die -- SIGN HERE!" SO -- LET'S DON'T make cloning illegal -- if one clandestine birth could create the Antichrist! . . . let's just see what she looks like!!! I like the thought of buying a new leg -- Never for Vanity!!! at least not at first!  
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|   | Columbia |   |
|   | That spindrift of snow
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|   | Gorditas de questo! |   |
|   | If I had a terra cotta God To keep in a niche on a shelf -- I'd be tempted to pray For recognition I might ask For some fool proof chance to Feel appreciation -- Viva la viva la viva l'amour Viva la Compiegne! -- -- So! -- It's good to remind myself, what a miracle I am -- Having survived the microscopic maelstrom of conception, its rush and flood -- that crush of crowding hopefuls -- that first of life for which this last survives. It's good to remember -- (recuerdo) Blind I survived -- sightless Retaining a vision -- so: Here at 4 in the morning Seated on a cold throne awake In that hour -- I hear (pregundo) When most succumb -- I stretch and anchor The first strand (responde) of another web. Starcrest
Monument Cleaner: |   |
|   | Observation |   |
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Inexpressibly satisfying -- the joyous face, the energy of compassion. Pain is there -- always competition, always pain. Refuse to suffer -- Je refuse: as Marie Antoinette on her way to public death had to go to the toilet. The only place, the street on which she walked -- before meeting the rope or the hatchet. Do we need drama? Damn straight. Damn right -- we hate good and loud and lean in full trauma. I score low, slow, no show -- can use this too though! Marie was thinking ahead about pissing her gown -- after she was dead -- indignity! Maintaining her honor -- whatever that may mean -- those last moments make the meaning of queen. In the street, she stoops down scoops her velvet gown to the side and simply peed. She was freed of looking unaesthetic, stained with urine, and pathetic! I'd be nasty I'd be hasty, crusty, ghastly: goddam happiness is real -- boring but that's what I feel!!!! |   |
|   | On Ending |   |   |
|   | I need to get a really good pen |
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|   | Burning Ghat |   |
|   | One windy morning (early), I wandered down to the river It's not far distant -- I carried brush and color, and paper pinned to a board -- Looking for something, I don't know, That one might come on randomly ... and wandered upstream. There came a silent procession, bearing a wooden stretcher Covered with orange flowers; and underneath A pair of withered feet and the face of a very old man, Eyes closed in that stillness not of sleep. I followed: They climbed to an open temple -- a stone platform -- A pile of wood -- and gently set him down. I sat by the river sketching The roof, the pillars, the sky, the figures. I could not paint their cries, so I left their faces blank, And painted only the gestures with quick strokes of orange. As the sudden fire bloomed A grey veil of smoke washed over the sky. By chance I came to the river -- It's not far distant. |   |
|   | Lepers |   |
|   | He can sleep anywhere The hand makes a pillow for the head Knees keep the chest warm For blanket he has arms, maybe. He guides her She helps him with her cane -- Together they stand -- barely. She is blind, He has no fingers on his hands. An old woman With no bones in her face -- Her nose hangs over her chin. She's thin and small but looks Very like a lion. (When first) I saw her I cried "Oh, my God" -- she loudly repeated -- "Oh, my God". In the early morning the lepers come to market -- Those with arms pull those who have no feet -- On small wheeled carts. Down all the streets they come Singing and chanting clearly. Their song is wonderful, though I cannot tell its meaning. |   |
|   | The Children of Divorce |   |
|   | Eat at Micky D's |   |
|   | looking for |   |   |
|   | I'm looking for that feeling when the feet Don't touch the ground, you've lifted, Then you're headed for the water off the dock. How cold closing over your head, face all wet And dripping when you come up for air! The swimming it's not, but what's come before -- That moment when the ground just isn't anymore. I can't have that to keep -- it won't preserve: Not like ham in salt, nor smoked as jerky, Not dried like jalapenos, nor plums in syrup. It won't be wise to show displeasure nor admit Spotting hesitation, don't complain ever, no Satisfaction. Hope is repetition. | ![]() |
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|   | Holy Slam |   |
|   | sing: this little light of mine; I'm gonna make it shine! etc. One hundred and eleven Catholic bishops admitted permitting priests who are child abusers to continue as parish priests, playing shuffleboard, shifting to new locations. Here is Father Smith, caught with little Henry Paderewski behind the vestments in the sacristy closet. We can trade him off for Brother Aloysius -- who exposed himself in the Holy Mother Queen of Peace procession. With all the little girls sprinkling white petals off the snow ball bush. While the boys wear crown vetch in their buttonholes or sometimes periwinkle. Place that cloistered monk far back in the abbey. Never let his sticky fingers taste the petals. Aloysius is a hardy perennial. He notices the child in the white lace dress whose slip slipped to the floor before she reached the altar -- a safety pin loose. Then there's Father Patrick -- just over from Ireland -- butter wouldn't melt in his mouth!!! Disregard this Image! Put him in St. Agatha's -- there's a space to fill since Father Smith left. And where will we put Smith, then? Oh! Let him in the sanctuary -- he can instruct the new altar boys! Just keep him out of the lavatories temporarily, of course. And let Patrick organize the Parade Day this year -- with four-leaf clovers and all -- it's a lovely thing -- with all the little bastards in their green bow ties. Just don't let him tuck their shirts in -- or whisper in their ears. -------------- Nevermind! Little Henry's mother swears she'll sue the church! Best get rid of Smith right away then -- send him curb his balls. In the meantime there's Father Dan who's been coaching Little League after dark -- it's beyond me what they can see out there in the fields. -------------- Nevermind! If we all stick together this will all go away -- someday -------------- maybe -------------- But what's taking them so long in the confessional!? |   |
|   | Cost |   |   |
|   | I like to spend my time doing things That don't cost money -- to waste a day On something that won't charge A quarter or a dime! That eliminates parking right off -- Could we include sunbathing? The cost of lotion counts, some sunburn Soother, and a kerchief or a hat! Daydreams carry the cost of wasting time -- You don't pay by the hour for a dream I pay if I can't stay awake! "I don't have a dog in this fight!" Right! Take swimming, you don't Have to own the ocean -- or the stream; Rain water from the sky is free! You still need a barrel or a bottle For that dream! No! That's a condition With no admission fee, no required Permission. Take your camera -- You'll pay for digital climbing: Road Runner high speed on-line! "Possibilities become Realities!" -- Possibility is a monthly fee To boost the price of cable. Not one breath is free -- Though breathing publicly Or privately -- is done Involuntarily -- to charge Is an ability: put a dollar In the breath-o-meter And catch your breath! Don't hold your breath -- Take a deep breath -- Declare your freedom To see the world in a Hoveround! Call your mobility specialist for a free demonstration! |
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|   | Looking |   |
|   | who is this looking |
|   | Newspaper Poem |   |
|   | There is THAT behind his face -- THAT will find a new home. If I hide a fingernail under the kitchen table -- Does this mean I'll be back again? No one will see -- who does not read the paper. The news is just news -- did they give The Penalty? THAT never smiles -- He strikes and fumbles In the mouths of sleeping children. |   |
|   | Nightingale |   |
|   | A sculptural configuration, something like Tinkertoys -- A skeletal presentation, "just the bare bones, please!" Surprise by design! What shapes balance in your mind; what would I find browsing there? Angular disdain, corners of shame or static humility Faked against arrogance, ever your preference. I like the obstructions you stamp in your way With the heel prints, the sole prints of stones' Sarcastic grimace. Humorous detours of synapse Controlled by cartoons, animated finesse. Complex activity, plans of cookery, bread in bakery, TIVO's episodic fakery -- whatever it's called. And what happened to your hobbies? Your hundred gallon fish tank, your kayaks, Your snowboards, your bike. Where is your Nikon For stills, your Sony for video, digitally inevitable. Where do you hide your game paraphenalia? -- I saw a new game yesterday, called animalmania. Looks like chickens flooding the place -- fast forward To bears, pigs, jackasses, and a pacing dog piling on; Better than zoomed to death by laser beam -- shoot the (By the way) I saved the leather label from the jeans, the lift tickets, the e-mails; been to a few concerts, rap annoys -- no more bluegrass, forget the Bagboys. You'll be waiting for snow; weather-watching, hoping To go away north. These tracings of thought seem Fluorescent; so focused, intent on intention. I see the balloon tethered by ropes in Macy's Parade. Impressive size, floating character, eyes bulbous -- Figure below height, hardly noticeable, sails the boat Or flies it. He's the one I'd like to know.  
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|   | Mollusk -- restroom attendant |   |
|   | Decrepit body in the library lavatory |   |
|   | Panderer |   |
|   | If the shoe fits, walk on the other foot! A blizzard of gnats in one spot over the grass: Something touched down -- and quickly left -- A mark, where the mayflies swarm like blueberries In a blender. Sympatico at first, intrigued even, then persistent; Hiding the empty pouch he must fill with Sweets or money, or preferred, information. His dance is multiform: the dance of gnats -- From a distance unmistakable -- The walkthrough brings a scattering of accident. One defense, a singular advantage -- other Styled abundance: that blooms after the rain In an insipid Kalahari. Harvest whatever, Replant hydroponics. Cultivate the microscopic -- Avoiding cataclysmic amoebas who cling to a Rock formation, multiply overnite, choke Other life. Repulsive carnivore, sticky, skinny, pale -- Offer the sycophant things he won't recognize: Talk the asteroid belt, tell Jupiter, or Callisto, Sing the exosphere, ionosphere, meso, strato, Thermo, tropo; praise Giovanni Cassini, or Nicolaus Copernicus. Extol the grand Panjandrum! Ignore his urgent need To gratify, resist his wish to satisfy, He trades cheap beads and blankets, Smallpox infected. Take heart of the abundant land. |   |
|   | Process (1) |   |   |
|   | It's a thing about the thought The thought I was thinking before you began talking talking about money ......... But what WAS that thought I was thinking before you began talking about ........ money. I will not get sucked in to this thought -- Not that thought -- that was not the one I was thinking BEFORE you began talking about ........ money? No. I don't want to talk about money -- My head was not in that place -- but where was it? ..... before? you .... ..... lost ..... I hate it when someone disappears my thought and replaces it with his ..... about ...... "I could take a loan of 10,000 dollars and live on it -- maybe just taking a few hundred dollars out each week and then putting some back. Just taking it out and putting it back ......" It was not that thought. Was it about growing plants? was it the wood sculpture? was it Kirlian photography? Or the clay portrait of Craig who likes Red Zinger tea ....? Remembering dreams .....? It may be that those who killed Indians are Indian now, and those of us who are Indians are not easily identifiable by our faces. I like you. |
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|   | Process (2) |   |
|   | Did I say I wanted more wood for the fire? Elizabeth .... I want to see God ... I'd like to go with you and Gail to Merrimack ... (Not any of these) neti ... neti We will make a healing circle for Sandra, yes -- But that wasn't the thought I was thinking before you began talking about money ...... suddenly find myself saying You can do that easily only in large amounts -- like billions of dollars ... like Bernard Cornfield. Not this -- not this ------- sandalwood? John? Was it the meaing of Turangalila? In the dichotomy and the symphony? In Lila -- the play and the rhythm, the dance? In the men from Albuquerque, from Schenectady who sat behind us speaking of raising the price of their tickets. In the white clouds and the black clouds In the pale sky we saw on the way to Symphony Hall. In caring more about loving or more about time to myself. In the work lost in color and light, and in the work I will do -- Anticipation -- the opposite of memory is all the same thing; all a symphony: |
|   | Process (3) |   |
|   | the music, the standing ovations and Messiaen in his simple brown suit, in walking home to the fire engines the police cars on Symphony Road -- all the same symphony: I just wrote the poem I thought I couldn't write! But that wasn't the thought I had before you began talking about money: "take a loan of, say, ten thousand dollars then deposit it in your first account pay interest of, say, 50 per month over five years withdraw, say, hundreds of dollars a month -- pay back 50 only -- then take another loan to pay back the first, and so on -- transferring from one account to another ---- but if one thing goes wrong and they need cash ----- not that, not that ---- ..... I'll read fragrant and radiant healing Symphony But I've lost that thought I was thinking before ..... Lithography, I'll study print making! ......... Did you say I won't make enough money? I'll study images of women in art and Women as artists ...... The kitty owes Greg a dollar and a half for Tomatoes and milk .... NO .... not this, not that! |
|   | Process (4) |   |
|   | I'll read now about the Indian called Juan With the tattered vest -- who saw the Virgin In green and gold and blue and rose Appear in the mountains .... to him ..... Giving him roses to carry to the bishop -- And the image of the Virgin in green and blue And gold and rose appears -- dyed in deep color On the inside of his tattered vest and is now there Today. This miracle -- Our Lady of Guadalupe -- And Rosa Ramirez in her blue silk hood Was on the float of the Virgin: I think that was it!!! I've got it!! It was the children, the Indian children Carrying white banners of the plumed serpent! Atlantis' symbol! That was it! The Plumed Serpent of Atlantis -- Quetzalcoatl! I've got it back -- that was the thought I was thinking before .... On the banners in the procession of Our Lady of Guadalupe Today is the Plumed Serpent ...... The symbol of Atlantis ........ thousands of years lost. |   |
|   | Room |   |
|   | When I have time I'll pick up |
|   | Sam |   |
|   | A Husky needs to take his own direction, needs to be |   |
|   | Boxcars |   |
|   | There are toy boxcars in the Lionel trains' antique procession. You don't give credit when no one overhears. You take credit exactly crustacean deep anchored. I've overheard scenarios, eliminating characters -- i.e., me. Invent yourself, change the plot -- and move on, scavenger. You hold up a mask that's smiling -- you are not. You hover like starlings to snatch the grape and fly. Self-centered like an orbit of concentric circles. Repetitive pattern, a habit of hustling everyone all the time with a friendly manner to conceal the feeling: whatever turns up can be useful. That's why I call you Scavenger. You run your life like a selective garbage disposal. |   |
|   | 'The sensation of an infant heart' (Walton Ford) |   |
|   | The red howling monkey and the militant macaw struggle: the monkey is winning, his hands clutch the throat of the bird, whose wing is motionless, whose eye is closed. But the monkey is chained to an anvil. Steps are mounted in the hillside; A tree straggles at back. Here is an image completely Self-contained, empowered: The sensation of an infant heart. Finds its way into the best pages, Among the richest minds And onto their walls! |   |
|   | A Trial -- prologue |   |
|   | Dear Sir or Madam: I ordered slides from digital images -- standard Photoshop files. The shop assured me and they advertise digital services. Fully 2/3 of the slides were BLANK -- obviously useless. These images were created by me and are of excellent quality. I immediately looked at the slides when they arrived on the 13th. The salesman agreed to a refund. I returned 2/3 of the slides, kept 1/3 which were OK. HOWEVER, He charged my card again for the whole amount! This $94.00 charge is false because I had already paid for the slides on April 6, when I placed the order: $90.00 was charged for the order on that date. The man was yelling at me so loud that I left and didn't see this overcharge tho I did return the defective merchandise at that time. I enclose the sales receipts from the transactions on the 7th and 13th. Thank you, Jackie Cassen |   |
|   | A Trial -- part 1 |   |   |
|   | That woman sitting in the front row is the lover of the deceased -- the woman in orange is the defendant A half gallon of ice cream lies melting on the floor -- Incongruous proximity Multitasking is better suited, better computed than undertaken by the mind's mistaken calculation. The brain can handle only so much at one time -- Jumping 75 jump ropes together untouched by rhyme. Driving while talking on the phone becomes a crime! The cooler air is coming down the Hudson. While I am talking to Mastercard about Victory Camera's bill: charged and collected for blank, empty slides. Victory snatched the fee -- 184 dollars on my credit card. Now Citibank wants its payment. While Horror Man at Victory Camera yells: "You already got your refund!" I try to explain to Mastercard -- I couldn't believe he would still put through the charges -- but the bank doesn't know slides -- they just know their slogan: Don't spend -- collect! Don't buy -- collect! Don't pay -- collect! |
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|   | A Trial -- part 2 |   |
|   | Citibank is impartial -- its humans train that way: "We will investigate -- in the meantime you pay late charge! We'll get back to you." Victory Camera suffers its owner -- exhausted from holding back his violence -- But not too tired to be mean! So -- I signed for the slides before I saw they were blank! So -- I expect Mastercard to come to my defense -- "Someone must pay," says Citibank "Nothing comes free" -- vigilance is needed to assure it won't be me! Victory, you're a cheat -- yelling to disguise your own defeat "That's the warning!!" But what a half-assed way to waste a Tuesday morning! | |
|   | Celebration! |   |
|   | O' 'Tis a glorious parade! A happiness celebration! A wondrous thing entirely! The drums go bang And the cymbals clang The music is something grand -- A credit to old Ireland Is MacNamara's band! --------- has anyone cocked an ear for the silence on the other side of the world? Is there someone who can hear The children over there? They're not dressed in green at all. The mother's not looking so well -- Stuffed into taxi cabs Piled in wheelbarrows Bundled with boxes and bags. Everything they can carry They've got their own parade, They're marchin' away from the town As far as they can get before The bombs come crashin' down! Don't we have something to share? -- A bit of the Londonderry air? We live by each others' grace And we live by consent -- Thinking we own, But we only rent. I'm ashamed for the shamrocks Stuck to my cheeks Shamed for the celebration Shamed for the ignorance Of pride in the face of our nation. I seem to have missed my stop When I dialed in the time machine! I've landed in the dark ages, The coldest the world has yet seen. -- Wait! Here come the Hibernians -- The ancient order and grand! And smart in their new uniforms March Port Richmond's high school band! On this glorious day in spring When the flags are all unfurled -- Why can't I hear anything -- but silence Or feel a thing but the fear -- On the other side of the world. |   |
|   | A Catalog of Ills |   |
|   | A catalog of ills -- ailments and complaints |   |
|   | Poetic Forms |   |
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|   | Sestina -- Untervasser |   |   |
|   | What is suspended underwater Only remains, remaining as bones Dimly seen thru murky light Seaweed waves as if a field of grain Moved by tides ebbing or surging In fog. The vision is haunting. The voices of foghorns are haunting Those lost long in these waters, Stilled now where once waves were surging That carried the weight of their bones. Less and still less than a grain Of wheat, the toll is not light. This mist won't permit a piercing of light, All its shapes are configured for haunting; Waterlogged wood shows no grain All patterns dissolved by the water, Even the texture of bone Is washed away in the surging. Undergrowth, debris, all is surging In quiet tide without light To penetrate. The bones Stir faintly, all their length is haunting In the lapping sounds of water As it flows against the grain. For bread enough, for beer they once had grain Against the fullness, hungers, girth was surging So heavy all sank in the water Wishng the weight were still as light As a wraith, for this haunting Will come with their bones. So slowly rest drifting, these bones Mark the last of their grain, At bottom the haunting Traces a hope in its surging Patterns filtered by light Reflected in water. As bones, there flows surging As grain grows in light Goes the haunting of water. |
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|   | Sestina Doble -- Kinesthesia |
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|   | Sonnet 1--December Sonnet(Petrarchian) |   |   |
|   | No thing can last that nothing may dare change -- The seed must turn to bud, the bud to flower Each in its turn is touched by sun. The hour Static in solemn movement seeming strange Yet repetitions' charm would so arrange This winter Death himself bows off the stage Until the newborn spring will come of age -- Belated then he executes revenge. But ice will melt to quench the thirsting green While flowers appear the same yet not the same -- Yet so deny the hope in life is death. Again the leaves and blossoms will be seen In Nature's diverse order rests the blame -- Inhale, exhale are both the single breath. | ![]() |
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|   | Sonnet 2--N.Y. Harbor (Shakespearian) |   |
|   | Allow the city lights and lights of planes To draw the shapes of buildings or define The life that wakes within when windows shine In pricked out squares and dots of windowpanes. The red, the blue, the green from seaward gleams On ships that signal other ships, or fly Predicting storms or traffic in the sky And cut the night in half with searchlite beams. Over the harbor came the planes to fill Predictions made by prophet long ago, That earth would shudder, buildings crumble so That only rubble lingers after kill. The skyline's shrunken bite seems dull today That front incisors now are torn away. |   |
|   | Sonnet 3--For the Missing (Spencerian) |   |
|   | Beyond a place where none can hear their cry In quiet grace. Beneath some alien star That one they follow still it leads them far With breath arrested breathless now they lie With breath arrested breathless now they lie In finding safety failed, still hopeful are In knowing wounds don't heal without some scar To help them breathe again or let them try. To help them breathe again or let them try Our persevering search. All comes to naught Knowing when life is lost, the game is fraught With dust, this twisted evil grows awry. That day the world once known came to its stop This day waits for the other shoe to drop. |   |
|   | A Crown of Hours |   |
|   | Seven classic sonnets one for each hour Of prayer as celebrated in monasteries by Cloistered monks and nuns. The Crown is A formal suite recognized in literature. |   |
|   | Matins-Lauds |   |
|   | In endless sleep there comes a constant wakening When everything is just about to happen; When dream is lifetimes long, lifting comes sudden In silence. Stillness tells that sleep is lightening; The tension of the dream has loosed times tightening. Sound echoes in the alley but is hidden By shaded window; shutters open, All rushing sound is hushed before the brightening. When labor's sleep has stopped its work to wait For something more and other than the known A cold clock chiming matins-lauds strkies thrice, The pendulum begins to undulate. Till something more will strike, each waits alone; After the night hours patience must suffice. |
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|   | Prime |   |
|   | After the night hours patience must suffice; The taper flames, an idea of itself Creates a brightness, warms that gulf Before first daylight melts quick morning ice. Chill shapes each aspiration; now seen twice The outward breath in air appears a half- Formed cloud, a space of white, a cough, a laugh. Cold is a reason; darkness a device. Some fire burns in every breath I take; The window blooms with light -- a single ray Transforms transluced glass to golden blue. The window of itself no light can make But sends it forth or opens to the day; With every breath a deeper light comes thru. |
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|   | Tierce |   |
|   | With every breath a deeper light comes thru The spokelike spiraling branches of the tree Of Paradise called Tree of Heaven -- free As weeds, stronger than oak, a true Green sprung from brick. Trees of the city do Not need much care; these are content to grow Alone.   Stone grants adaptability; Slow pressure cracks cement, they grow anew Inch toward each sun at noon, ubiquitous. When blindfolded my fingers saw the grace And sensed a perseverance I'd not known. Leaves fill my window now, amphibious Light makes this room a bright green place. Last summer's fragile fern is fully grown. |   |
|   | Sext |   |
|   | Last summer's fragile fern is fully grown, Its fiddleheads have opened in the fires Of noon. The sun's demand is what each tree requires -- That fruit will come after the flowers are blown. The yellow flower falls as gourds grow round And orange, brown and full the vine desires To shoot fine tendrils newly each aspires To follow footprints. In the sun, sunflowers abound; Now windows are the mirrors of the sky More bright than blue reflecting glancing gleams Of sun. Strange faces have the look of friends While mirrored in the window of the eye. A spark of sun shoots forth -- its changing beam That sparks a light alive when noonday ends. |
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|   | Nones |   |
|   | That sparks a light alive when noonday ends Which holds cupped hands enfolding mellowed air With fingers slightly touching. What is there To grasp? How clutch at light, what clasp? Sun lends To all but not to keep. This day sun sends Its borrowed brightness only. Light more fair May rise when this sun rests. Who does not care Cares best. Who dares to let light leave depends On none; keeps pocket candle guttering On window sill against the waning day. The air retains some warmth, white clouds are led By hands of wind across sky, shuttering The eye at evening, fading blue to grey. I stand beneath fresh rain. I taste new bread. |
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|   | Vespers |   |
|   | I stand beneath fresh rain. I taste new bread, Liking the touch of water moistened crust From water softened sky. The eye will trust No tangled branches woven overhead -- Just clear grey air. When others turn to bed And shade their lamps to think of things, they must Before there falls some final rain of dusk -- Decide, complete, enact -- I pause instead Outside this wall to watch. One window shines The single open window one can see; A slender hand extends -- crusts fall for birds. Long fingers slip and part the growing vines To separate a way for birds and me -- That rain may touch the cold smooth stone of words. |   |
|   | Compline |   |
|   | That rain may touch the cold smooth stone of words Words must be set like sentinels, unlock As dolmens set out lasting time from rock. Like silica, like mica, glint like shards Of quartz, like nocturnes struck from gongs with swords -- Words myriad shimmering windows shock the dark Like splintered sparks from flint are struck, As crisp night seems to sharpen stars. I dream that in my sleep I wake To find such splintered necklaces, such chains As cities signaling to planes spread beckoning Below. Each candle lives; the windows speak: Light must be seen through darkness; both are names. In endless sleep there comes a constant wakening. |   |
|   | Villanelle--Skyline |   | |
|   | As long as I can I must stare |
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|   | Terza Rima-- Baghdad - "Founded by God" |   |
|   | (The film on TV right now:)
Shows explosions that light up the sky And it's green, that sky, with night vision Rockets streak speeding fast by. Crossing the screen with precision Clouds of black smoke clog the scene Anti-aircraft burst out with decision Earth viewer.com can be seen As a map sticking up in 3D With buildings and hills plasticene. Buildings burn, but lights in the city decree That some spirit lives on as alive As the people hold fast their esprit. The director has called for a moon, While the extras crowd in tents of plastic Hoping an end will come soon To their camouflage costumes fantastic. Though the movie is saved -- an archive -- How long will the extras survive? |   |
|   | Terza Rima-- Nightmare |   |
|   | Often and often of late I wake of a sudden at night With fear, in an unholy state. Of panic, and freezing in fright At something that hovers unseen With weapons and troops for the fight. While ever and always this dream Traffics bacteria's germs, Sour and curdled like cream Gone bad. All thought turns to worms -- I'm feeling the skin of my face For smallpox or chemical burns. Heart catches, the breath starts to race, Waiting yet hearing the sound Pulsing and pounding a pace. A pound, a pound, a pound, a pound, a pound -- Another, abeating; another, abeating, a DOOM. |   |